I love this film. I think it's as good as the great Fellini films (8 1/2, La Dolce Vita). There are moments of incredible magic throughout, and it's vividly cinematic. Some of Fellini's greatest sequences (like the one when Snaporaz goes down the slide into an "amusement" park) are pure Fellini magic. The cinematography by Giuseppe Rotunno is magnificent. It is one of Fellini's most inventive and surreal pictures (which, for him, is really saying something). The 138 minute running time just flies by. Many critics said that Fellini never made a good film after Amarcord, but they are so wrong. Almost every latter day Fellini film (even The Voices of the Moon, which never got a proper release in this country) has some elements in it that could only be brought out by the great Maestro. This film (along with And the Ship Sails On and Intrevista) are amongst Fellini's forgotten films, which is a shame, since they are well worth watching. See this one. It's amazing filmmaking...
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Production of: Cohen Media Group
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Movie Rating : 4.2
Total Review : 19
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In a railway coach Snàporaz (Marcello Mastroianni) wakes from a nap and seduces a beautiful stranger. Then he follows her through a forest to a weird hotel where a feminist convention is being held. He is so unnerved by the vociferous hostility of the militants that he hides in the mansion of a female killer who has wooed and won a thousand hearts. Snàporaz will be forced to run the gauntlet before waking up and realizing that his adventure was only a crazy nightmare. Fellini s surrealistic and over the top fantasy earned him four Silver Ribbons by the Italian National Syndicate of Film Journalists.
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Top Review of City of Women [Blu-ray]:
What a wonderful dream!
City of Women is typical late Fellini fare, full of surrealism, elaborate sets, beautiful colors, gorgeous women and the bare bones of plot and linear structure. We have Marcello Mastroianni (of course) as lothario Snaporaz. After unsuccessfully seducing a woman on a train, he follows her to a hotel in the middle of a forest where a feminist convention is taking place. From that point on, Snaporaz finds himself in one compromising adventure after another. He is tormented by women on roller skates, accosted by a nymphomaniac, chased down by drugged up teenagers and eventually seeks refuge in the castle-like fortress of Dr. Uberkock who is having a party in celebration of his 10,000th sexual conquest.
The women appear lovely and harmless at first until little things set them off with Snaporaz always the target of their aggression. Fellini even goes so far as having many of the women in different scenes growl and grunt in an animalistic manner whether it's sexual or...
Better than 8 1/2!
Although most Fellini fans will point to his "8 1/2" as their favorite of his films, I think that "City Of Women" is just a little bit better. They are both 5s though so I may be splitting hairs! Marcello Mastrioanni plays Fellini's alter ego in both films. In "8 1/2" we see him as a film director surrounded by his usual coterie of Picasso-like faces. He is also contending with his problems as a womanizer as they continue to come in and go out of his life. "City Of Women" goes much further though. It shows that the primary fascination Fellini has with women is bonding to their sex. He clearly is much more attracted to the nature of woman than the nature of man.
He revels in their intuitive and instinctual side and the fecund, earth mother basis. Certainly the large part of him that exists as an artist is wholly situated in the sphere inhabited by the female sex. "City of Women" is a surreal, dream-like evocation of this world and Fellini's draw to it. He is, of...
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